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Even when this was not the case, those engaged in the publications were almost always people from inside the 10 Concerning Nikolaos Glykis Printing house, see Veloudis On the Development of Karamanlidika Writing Systems 63 Church or from environments controlled by the Church, like teachers or dragomans Iliou He also published books consisting of adaptations from several books Stathi During the 18th century, he was responsible for twelve out of fifteen Karamanlidika books published from until It is said that he had his first lessons in Caesarea and later moved to İzmir in order to develop his education Stathi —, Theocharides 33— During his stay in İzmir, it is presumed that he was ordained deacon Stathi His mother tongue was Turkish, and he learned Greek at a later stage Eckmann 4.

I 4] published in Venice in There, he says that his first language was Turkish, that he studied Greek for a long time and that religious texts are indispensable for the education of the Christian Orthodox of the East Clogg 65, Gavriel He also mentions the fact that he was motivated by the illiteracy of the clerics and the intel- lectual decline of the East Stathi Around , he was embodied as a monk in Kykkos Monastery in Cyprus where he remained until approximately Theocharides 35—38, Clogg During his stay in Cyprus, Seraphim was distinguished as a teacher, writer and superintendent of books with the financial help of the monastery Theo- charides Around , he was appointed metropolitan of Ankara, a position he held until when he was unfrocked due to an incidence relevant to his short temper.

He is also referred to as Seraphim Pissidios. In the catalogues of the B. See Bullen 92, His work continued to be republished or re-edited for many decades. This can be seen also in the title page of the Psalterion It is said that during the Mass, due to his short temper, he hit and killed a deacon with a heavy gospel 35 citation 7.

Clogg 65 sets the period he was a metropolitan of Ankara from to It seems that he preached and taught in Istanbul both in Greek and Turkish Stathi , Clogg Moreover, he published books in Karamanlidika, in Greek and sometimes translated from Latin Theocharides 51 , and in , he also published a book written in three languages, Greek, Latin and Italian.

At an early age, he took Holy Orders Moon 14 and was appointed as the principal agent of B. He died on a journey towards Palestine in Browne 65, Moon His arrival in Istanbul in signalled a new era for Karamanlidika publica- tions as he and Reverend Pinkerton undertook the first Karamanlidika publication based on missionary work Clogg Besides Karamanlidika, H. Leeves was involved with several editions in many languages and scripts, like the revision of the New Testament in Albanian Browne 31 , in Greek Romaic according to the missionary terminology , Spanish, Judeo-Spanish Spanish written in Hebrew and Armenian, not only as edi- tor but also as a translator.

Argyrogrammo in charge of the printing house of the Patriarchate Clogg — , he appointed Christos Nikolaides, a highly educated young man, as his new assistant in Clogg He also had experience in printing and publishing Clogg — The new assistant of H. Leeves fit into the model of mis- sionaries working with educated, multitalented and multilingual natives in order to make their work more acceptable and their translations more comprehensible to the natives.

A young Greek working as a book binder who had know- ledge of Turkish, Armenian and Hebrew, he was working for Muslims, and he had connections with the Armenian community. See Goodell — The new system was the outcome of their wish to represent Ottoman language in the Greek alphabet in the best possible way Gavriel a: Leeves belongs to those missionaries who believed that in order to pro- selytise, missionaries should first educate the people.

The texts, he believed, should not only be comprehensible to everyone Clogg — but should also be in the form of the language that the people spoke Murre-Van den Berg 13, Balta , so he wanted the editions to be improved by natives or people who spoke the language of the natives Clogg Therefore, they often distri- buted texts prior to their publication in order to see if the language used was com- prehensible Clogg Kioseoglou editor The information available in secondary literature about the editor of Psalterion , Panayiotis S.

Kioseoglou, is again scarce. Taking into consideration the fact that he lived in nineteenth to twentieth century Istanbul and the fact that he was in charge of several Karamanlidika editions eight books in a period of nine years — , one can surmise that he was member of the Turcophone urban elite of Istanbul. This urban elite was comprised of enlightened Turcophone Orthodox who had received higher education, had a good knowledge of the Ottoman language and were aware of the varieties of Ottoman administration and literature Gavriel a: This new group of people was trained in order to develop professionally, and their good knowledge of Greek and, more importantly, Ottoman Anhegger — , Kappler made their Karamanlidika publications much different from those of their predecessors Kappler 60 , especially in regards to language Anhegger — The simple language of the early editions was succeed- ed by ornate Ottoman language, sophisticated in lexicon and orthography Strauss , which also included Arabic elements Kappler See Makdisi — The role of the assistants is quite neglected and deserves to be studied thoroughly since they carried out much of the missionary work.

The Psalterion of uses the majority of the Greek graphemes in the Turkish text. Furthermore, concerning the alphabets used in the sources, there are some points that need to be clarified. In some of the editions, there are some ligatures that cannot be shown here when quoting one of the original texts because of the lack of respec- tive fonts.

Diacritics Before proceeding with the comments on diacritics, they need to be divided into two categories, first, the diacritics used in texts written in Greek language also known as the polytonic system and second, the diacritics used only for texts written in Kara- manlidika. Their use in Kara- manlidika follows the rules of Greek grammar e.

Previous research on Karamanlidika showed that the accents were not used correct- ly, especially the use of the grave Gavriel b: , which in all four editions under examination here seems to be used correctly. The diaeresis is used in all four texts. In the Psalterion of and , the diaeresis serves its original purpose e. Moreover, in these two editions, the diaeresis shows what could be a long vowel or the Arabic grapheme ayn e.

This will be discussed further at a later stage. The use of diacritics in Karamanlidika texts is one of the first issues that draws attention to those dealing with Karamanlidika e. Diacritics are to be found in Psalterion and Psalterion , and the issue will be discussed further later on. The others are also the same way. One can learn the rest of the letters and syllables by becoming familiar with their usage. This was prepared by monk Meletios Fenerli.

Although these instructions or system do not cover the majority of phonemes in the Ottoman language nor its peculiarities Gavriel a: , it is very important because it is a clear attempt not simply to write Karamanlidika but to create a wri- ting system based on the graphemes of the Greek alphabet. The system leaves many graphemes of the Greek alphabet unused and gives to others a new role, different than the one they serve in the Greek language, in order to detach phonemes from standard Greek language.

As can be seen in the Phonetic chart B. This text is cited as translated in Gavriel a: Here, the author is not very consistent with his choice e. Psalterion In the source of , there are no instructions, and as can be seen in the phonetic chart, the author uses a random system were no rules are applied. The first was introduced for the first time by the B. I: 64 printed in De Castro printing house in Istanbul Clogg I: This was called the Athenian system by J.

Eckmann and J. Deny because the printing of these books took place in Athens Anhegger 3, Kappler The printing was transferred there from the island of Syra, and new types of fonts were used Browne 55, Canton The main quality of this system was the introduction of diacritical symbols above certain letters in a modify- cation of the Greek alphabet in order to make it more suitable for the rendering of Turkish phonemes.

With their usage, the rest of the letters can be read by everyone. The Bible Society here provides information of how to read the modified gra- phemes and those with a new role, so the rest remain as they are. The examples to follow from this source will be cited just with the date and page number.

With their usage, the letters can be read by everyone. The missionaries provide in Psalterion a clear overview of their writing system, which is similar with the former system used in Ahd-i Cedid of with very few changes. Psalterion As for the source of , there are no instructions for the usage of the writing system of the Psalterion The fact that the book was published in the late nine- teenth century makes it inevitable that it will have a standardised system of writing, and in fact, it does have one, the system used by the Misailides family.

Comments on the development of individual graphemes The description of the development of the individual graphemes shows several alter- ations for many graphemes, while others remained the same throughout the ex- amined period. These distinctions are absent from the Greek phonological system.

The influence is more than obvious since the mis- sionary system dominated the efforts that followed. Despite the dominance of the missionary system, the editions made by the urban elite of the Turcophones show that they also had their own ideas of how a Karaman- lidika writing system should be. Consequently, they neglected the Greek equivalents where they existed and apparently did not embrace the first effort for standardisation in at any point.

Therefore, after the missionaries abandoned it in when they introduced the Athenian system, the Turcophone Orthodox continued its usage. Ottoman originates from the Oghuz Turkish, a Turkic variety that appeared around the thirteenth century.

The Old Anatolian Turkish suffix phonology had certain characteristics that differ from the later Ottoman Period and, of course, from contemporary Turkish. The most basic was the existence of three vowel harmonies instead of two in late Ottoman and contemporary Turkish. Additionally, we have enclitics like - y lA, which appear as non-harmonic suf- fixes at early stages but later assimilates to the stem. There is a transitory stage as well where it can be found both free and bound e.

In the subchapters that will follow, a number of suffixes will be presented and analysed in order to draw evidence of the developments of language through the period covered by the sources used — The suffixes are divided into inflectional and derivational. In each table, the suffixes are listed under the date of each source. Suf- fixes that do not exist in all four editions may be presented here when the evidence they provide is helpful to the analysis.

The locative suffix in the edition of seems that the old form is in free variation with the new e. This needs further research since the old form of the suffix was dUr. In the second edition we see the co-existence of old and new forms e. Nevertheles in the last edition we see the suffix returning in the variation betwen old and new form e. For the editions of and there is not much evidence.

The future tense as well as the Aorist do not illustrate any variation. The conditional copula y sA appears in the edition of only in the enclitic non-harmonic form of ise while in the edition of it is already connected to the stem but not always assimilated with it e. In the editions of and we see once more only the en- clitic non-harmonic form ise. The enclitic y lA appears in the first edition both free and bound, but not harmo- nic e.

In the edition of although it operates with an older form, namely y IlA n , it appears to be fully assimilated to the stem while working free as well e. In the edition of it appears both free and bound, and assimilated in the connected form e. In this edition we see also a phenomenon not appearing in any of the other edition, namely the enclitic form which follows the harmony of the stem e.

In the last edition we see only the enclitic not-harmonic form ile. In the last edition we face the phenomenon of using only the DIK form e. In the last edition we encounter the old and the new form in free variation e. The same phenomenon occurs in the suffix sIz e. Comments on Morpho-phonology Recounting the suffixes presented in 3. This phenomenon could be attributed to the influence from Ottoman writing, which will be examined in 3.

However, in the last edition, it does assimi- late in some cases. This phenomenon could also be related to Ottoman writing and will be examined in 3. Third, the enclitic ile, though seeming to evolve gradually into a new form in the first to the third edition, returns to the enclitic non-harmonic form ile in the last one.

Parallel to this we see that the enclitic y sA evolves gradually in the editions of and , but returns to the enclitic non-harmonic form in the editions of and Once more, Ottoman writing could be involved, or the difference could be attributed to formal speech. Both possibilites will be discussed in 3. The absence of the phoneme in the edition of could lead to the conclusion that one is dealing with a dialectic element in the edition of , or it could still exist at that time in everyday language, since it survives in suffixes and stems.

In the edition of , it is rather unlikely to be a dialectal element Kappler , concerning the dialects of Southwest Anatolia , since this is a missionary edition and, as was mentioned before, they followed a more formal language in their editions. The fact that it does not survive in many suffixes but it does survive in many stems makes one believe that again, there is a possible influence from Otto- man writing, which will be examined in 3.

Some have kept both forms until today e. This had the outcome of keeping this kind of phenomena outside the text, and any Greek graphemes that were not part of the system appear only in Greek or words of other origin, though in a Hellenised graphic shape. On the Development of Karamanlidika Writing Systems 83 3. The locative does assimilate in Ps, while in Ps it is in free variation. It is unlikely that the process of language returned to the non-harmonic form of these suffixes as it is clear from other texts that already in the period of Middle Ottoman this phenomenon was just an orthographic convention Kerslake , see also Vaughan 18 and Hazai — With other words, it must have been a conscious choice.

In the edition of a setback to the old form of the suffix can be observed. This setback can only be attributed to the influence of writing in an edition as late as The suffix y Ip appears in transitory stage in the first edition, and is developing to the new form in the second, while in the third and fourth editions it shows conser- vative forms.

In the edition of old and new forms co-exist. This is for sure evi- dence of Ottoman orthography influence since the evolution to the progressive forms has already been concluded, cf. Taking into consideration that the missionaries had as a rule that their texts should be understood by everyone, it is rather unlikely that they used dialectal elements.

This writing does not appear in the other editions. Additionally the author uses also the e-pronunciation with respective writing of the words etmek, vermek gece. Indicative is the fact that he uses the form itmek dozens of times while etmek just five times. In the editions of , and it appears in the form geri. The form onutmak appears along with unutmak in the edition of ; the o-form could also be a dialectalism. Additionally, a number of stems are influen- ced by the Ottoman orthographic tradition in phenomena already described else- where i.

It is possible that the declaration of Ottoman language as the official language of the state in contributed to the turn towards historical writing Anhegger 12— The new forms found in the text are probab- ly the influence of his own oral language interfering with the archaic forms he was trying to write in the text.

The development of the harmonies and the consonants was a long and complicated procedure, which ended around the eighteenth century Johanson , see also Hazai —, Johanson The assi- 39 Concerning hypercorrect forms see Kappler 93— The publications were subjected to many developments, influences and changes, which ended up with more than one result. In this paper, the development of writing systems and language of a group of Karamanlidika publications for the period from until has been analysed.

The Psalterion of was the first publication where an effort for standardi- sation of the Karamanlidika writing was employed. This system was rather ambi- tious and radical for the period in which it was published, since it was introducing new roles in the grapheme-phoneme relationship for the graphemes of the Greek alphabet.

Prepared within the Orthodox Patriarchate of Istanbul by priests who pro- bably had some education, this effort for standardisation illustrates clearly that the Orthodox Church was interested in Karamanlidika very early, and also tried to create rules for similar future publications. The effort is characterised as ambitious be- cause, as discussed in the paper, most of the people were illiterate, so the develop- ment of a new writing system seems useless.

The fact that the system described in the preface of Psalterion was not followed in the main text of the book besides certain graphemes, the use of the rest being arbitrary could be attributed to the prin- ters who might not have been careful enough or who might have been unfamiliar with this writing system. The Psalterion of was translated by Seraphim, the dominant figure of Kara- manlidika publications in the eighteenth century. Although he knew four languages and was certainly able to figure out a standardised system, the way of his writing was arbitrary.

He did not apply a system, most likely because he was aware of the fact that most of the people were illiterate, and his priority was preser- vation of faith and then education. He also knew that these books were meant to be read in public and to be heard, so standardised writing had minor importance, if any, at that time.

Illiterate or semi-literate priests were reading accurately in Turkish, although al- most certainly in arbitrary writing systems like the aforementioned. They were fami- liar with and part of this tradition. The two systems of the missionaries created the basis for the stand- ardisation of writing systems in Karamanlidika. The missionaries wanted their edi- tions to have a standardised alphabet with certain rules not only because they had strict orders to follow but also because their editions were used for educational pur- poses as well.

The Psalterion of was edited by a member of the educated Turcophone urban elite, who was the successors of priests in Karamanlidika publishing. After it was introduced by the B. Moreover, it is also evident that the printing house they used did not have the same abilities concerning typefaces as the one of the missionaries, so when a word required an accent or breathing and a diacritic on the same grapheme, only one of the three was added e.

In the chapter of morpho-phonology, it is observed that the form of language in the editions of and is possibly very close to the everyday speech of that time, since the books were written to be heard in contrast with the later editions, which show evidence of written language influence. Also, reversions to older forms as well as the co-existence of old, new and odd forms of suffixes exist in the edition of Concerning influences from Greek script 3.

The missionary publications were rendering the developments of vowels because they wanted their translations to be widely understood and intelligible to the unedu- cated whilst also seeking ways to create accurate representations of the Ottoman language. This was the case with the enlightened Turcophone, who wanted to exhibit their high education by trying to transcribe the words from the Arabic alphabet to the custom Greek alphabet, as shown in 3. They were also using a very different language from their predecessors, and the Psalterion had lost its previous educational character.

The simple language of the early editions had been replaced by a more formal Ottoman language and was influenced by Ottoman writing as well. This is the case of the edition. This change towards historical writing might have influences from the mis- sionary editions, in their writing systems, for example, but it was also an expected development. The urban elite was educated in contrast to the majority of the priests of the 18th century, and orthography had become much more widely spread and im- portant.

The need for a standard writing system and orthography is of much more importance for an educated person, especially in a time when the state had an offi- cial language for the first time. A wider research would include, for example, a full morpho-phonological analysis of the texts including dialectal elements and syntax in order to give additional, ac- curate information on the development of Karamanlidika publications.

Abbreviations A. I 64] —. I 87] Psalterion I 1O] Psalterion I 16] Psalterion I ] Psalterion Hurufumuz Yunanca. Anatolica 7: — On transcribing Ottoman texts. Manuscripts of the Middle East 3: 12— In: I. Baldauf, K. Tezcan eds. Materialien der ersten deutschen Turkologen-Konferenz, Bamberg, 3. Juli Wiesbaden: 1— Arslan-Kechriotis, C. Some syntactic issues in Karamanlidika texts. Babiniotis, G. I: Phonology]. Balta, E.

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Nicosia have secured three draws and suffered seven defeats, so life has been proving tough for the away outfit. AEL Limassol may not have been hitting the heights that they did earlier in the season during the last few months, but 11 wins from 16 home games is still a formidable record. Nicosia have been in incredible form recently, collecting some points from a possible 27, and it is noticeable that all nine of their matches during this period have served up three goals or fewer.

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This needs further research since the old form of the suffix was dUr. In the second edition we see the co-existence of old and new forms e. Nevertheles in the last edition we see the suffix returning in the variation betwen old and new form e. For the editions of and there is not much evidence. The future tense as well as the Aorist do not illustrate any variation. The conditional copula y sA appears in the edition of only in the enclitic non-harmonic form of ise while in the edition of it is already connected to the stem but not always assimilated with it e.

In the editions of and we see once more only the en- clitic non-harmonic form ise. The enclitic y lA appears in the first edition both free and bound, but not harmo- nic e. In the edition of although it operates with an older form, namely y IlA n , it appears to be fully assimilated to the stem while working free as well e.

In the edition of it appears both free and bound, and assimilated in the connected form e. In this edition we see also a phenomenon not appearing in any of the other edition, namely the enclitic form which follows the harmony of the stem e. In the last edition we see only the enclitic not-harmonic form ile. In the last edition we face the phenomenon of using only the DIK form e. In the last edition we encounter the old and the new form in free variation e.

The same phenomenon occurs in the suffix sIz e. Comments on Morpho-phonology Recounting the suffixes presented in 3. This phenomenon could be attributed to the influence from Ottoman writing, which will be examined in 3. However, in the last edition, it does assimi- late in some cases. This phenomenon could also be related to Ottoman writing and will be examined in 3. Third, the enclitic ile, though seeming to evolve gradually into a new form in the first to the third edition, returns to the enclitic non-harmonic form ile in the last one.

Parallel to this we see that the enclitic y sA evolves gradually in the editions of and , but returns to the enclitic non-harmonic form in the editions of and Once more, Ottoman writing could be involved, or the difference could be attributed to formal speech. Both possibilites will be discussed in 3. The absence of the phoneme in the edition of could lead to the conclusion that one is dealing with a dialectic element in the edition of , or it could still exist at that time in everyday language, since it survives in suffixes and stems.

In the edition of , it is rather unlikely to be a dialectal element Kappler , concerning the dialects of Southwest Anatolia , since this is a missionary edition and, as was mentioned before, they followed a more formal language in their editions. The fact that it does not survive in many suffixes but it does survive in many stems makes one believe that again, there is a possible influence from Otto- man writing, which will be examined in 3.

Some have kept both forms until today e. This had the outcome of keeping this kind of phenomena outside the text, and any Greek graphemes that were not part of the system appear only in Greek or words of other origin, though in a Hellenised graphic shape. On the Development of Karamanlidika Writing Systems 83 3. The locative does assimilate in Ps, while in Ps it is in free variation.

It is unlikely that the process of language returned to the non-harmonic form of these suffixes as it is clear from other texts that already in the period of Middle Ottoman this phenomenon was just an orthographic convention Kerslake , see also Vaughan 18 and Hazai — With other words, it must have been a conscious choice.

In the edition of a setback to the old form of the suffix can be observed. This setback can only be attributed to the influence of writing in an edition as late as The suffix y Ip appears in transitory stage in the first edition, and is developing to the new form in the second, while in the third and fourth editions it shows conser- vative forms.

In the edition of old and new forms co-exist. This is for sure evi- dence of Ottoman orthography influence since the evolution to the progressive forms has already been concluded, cf. Taking into consideration that the missionaries had as a rule that their texts should be understood by everyone, it is rather unlikely that they used dialectal elements.

This writing does not appear in the other editions. Additionally the author uses also the e-pronunciation with respective writing of the words etmek, vermek gece. Indicative is the fact that he uses the form itmek dozens of times while etmek just five times. In the editions of , and it appears in the form geri. The form onutmak appears along with unutmak in the edition of ; the o-form could also be a dialectalism. Additionally, a number of stems are influen- ced by the Ottoman orthographic tradition in phenomena already described else- where i.

It is possible that the declaration of Ottoman language as the official language of the state in contributed to the turn towards historical writing Anhegger 12— The new forms found in the text are probab- ly the influence of his own oral language interfering with the archaic forms he was trying to write in the text. The development of the harmonies and the consonants was a long and complicated procedure, which ended around the eighteenth century Johanson , see also Hazai —, Johanson The assi- 39 Concerning hypercorrect forms see Kappler 93— The publications were subjected to many developments, influences and changes, which ended up with more than one result.

In this paper, the development of writing systems and language of a group of Karamanlidika publications for the period from until has been analysed. The Psalterion of was the first publication where an effort for standardi- sation of the Karamanlidika writing was employed. This system was rather ambi- tious and radical for the period in which it was published, since it was introducing new roles in the grapheme-phoneme relationship for the graphemes of the Greek alphabet.

Prepared within the Orthodox Patriarchate of Istanbul by priests who pro- bably had some education, this effort for standardisation illustrates clearly that the Orthodox Church was interested in Karamanlidika very early, and also tried to create rules for similar future publications. The effort is characterised as ambitious be- cause, as discussed in the paper, most of the people were illiterate, so the develop- ment of a new writing system seems useless.

The fact that the system described in the preface of Psalterion was not followed in the main text of the book besides certain graphemes, the use of the rest being arbitrary could be attributed to the prin- ters who might not have been careful enough or who might have been unfamiliar with this writing system.

The Psalterion of was translated by Seraphim, the dominant figure of Kara- manlidika publications in the eighteenth century. Although he knew four languages and was certainly able to figure out a standardised system, the way of his writing was arbitrary. He did not apply a system, most likely because he was aware of the fact that most of the people were illiterate, and his priority was preser- vation of faith and then education. He also knew that these books were meant to be read in public and to be heard, so standardised writing had minor importance, if any, at that time.

Illiterate or semi-literate priests were reading accurately in Turkish, although al- most certainly in arbitrary writing systems like the aforementioned. They were fami- liar with and part of this tradition. The two systems of the missionaries created the basis for the stand- ardisation of writing systems in Karamanlidika. The missionaries wanted their edi- tions to have a standardised alphabet with certain rules not only because they had strict orders to follow but also because their editions were used for educational pur- poses as well.

The Psalterion of was edited by a member of the educated Turcophone urban elite, who was the successors of priests in Karamanlidika publishing. After it was introduced by the B. Moreover, it is also evident that the printing house they used did not have the same abilities concerning typefaces as the one of the missionaries, so when a word required an accent or breathing and a diacritic on the same grapheme, only one of the three was added e.

In the chapter of morpho-phonology, it is observed that the form of language in the editions of and is possibly very close to the everyday speech of that time, since the books were written to be heard in contrast with the later editions, which show evidence of written language influence.

Also, reversions to older forms as well as the co-existence of old, new and odd forms of suffixes exist in the edition of Concerning influences from Greek script 3. The missionary publications were rendering the developments of vowels because they wanted their translations to be widely understood and intelligible to the unedu- cated whilst also seeking ways to create accurate representations of the Ottoman language. This was the case with the enlightened Turcophone, who wanted to exhibit their high education by trying to transcribe the words from the Arabic alphabet to the custom Greek alphabet, as shown in 3.

They were also using a very different language from their predecessors, and the Psalterion had lost its previous educational character. The simple language of the early editions had been replaced by a more formal Ottoman language and was influenced by Ottoman writing as well. This is the case of the edition.

This change towards historical writing might have influences from the mis- sionary editions, in their writing systems, for example, but it was also an expected development. The urban elite was educated in contrast to the majority of the priests of the 18th century, and orthography had become much more widely spread and im- portant. The need for a standard writing system and orthography is of much more importance for an educated person, especially in a time when the state had an offi- cial language for the first time.

A wider research would include, for example, a full morpho-phonological analysis of the texts including dialectal elements and syntax in order to give additional, ac- curate information on the development of Karamanlidika publications. Abbreviations A. I 64] —. I 87] Psalterion I 1O] Psalterion I 16] Psalterion I ] Psalterion Hurufumuz Yunanca. Anatolica 7: — On transcribing Ottoman texts. Manuscripts of the Middle East 3: 12— In: I. Baldauf, K. Tezcan eds. Materialien der ersten deutschen Turkologen-Konferenz, Bamberg, 3.

Juli Wiesbaden: 1— Arslan-Kechriotis, C. Some syntactic issues in Karamanlidika texts. Babiniotis, G. I: Phonology]. Balta, E. Karamanlidika, Additions — Bibliographie analytique. Periodisation et typologie de la production des livres Karamanlis. Cries and Whispers in Karamanlidika Books. Nicosia, 11th— 13th September Brendemoen, B. In: E. Kappler eds. Nico- sia, 11th—13th September Wiesbaden: — Browne, G. Bullen, G. Canton, W. Clogg, R. The publication and distribution of Karamanli texts by the British and Foreign Bible Society before Coulmas, F.

Dalleggio, E. Eckmann, J. In: H. Halasi Kun eds. Ankara: 27— Einige gerundiale Konstruktionen im Karamanischen. In: J. Eckmann ed. Ankara: 77— Die karamanische Literatur. In: L. Foskolos, M. Gavriel, E. Transcription Problems of Karamanlidika Texts. Nicosia, 11th—13th September Unpublished PhD thesis, University of Cyprus. Turkish, a Comprehensive Grammar. London-New York. Goodell, W. Forty Years in the Turkish Empire.

Prime ed. New York. Hazai, G. Ankara: 83— Acta Orientalia Academiae Scientiarum Hungaricae — The Hague-Paris. In: G. Hazai ed. Budapest: 63— Holton, D. Iliou, F. Johanson, L. Die westoghusische Labialharmonie. In: Orientalia Suecana 27—28 — : 63— The History of Turkic. Csato eds. London-New York: 81— The vowels of Turkish in transcription texts. Kappler, M. In: U. Marazzi ed. Napoli: — In: S. İzmir: — Konflikt und Ideologie in den griechischen Grammatiken des Osmanischen im Stein eds.

Materialien der 5. Okto- ber Wiesbaden: 80— Orient Institut Istanbul, Kerslake, C. Ottoman Turkish. London-New York: — Turkish in Armenian Script. Mackridge, P. The Modern Greek Language. Makdisi, U. Miller, M. Unpublished PhD thesis. University of Indiana. The Missionary Herald. Moon A. In memoriam the Rev.

Murre-Van den Berg, H. Murre-Van den Berg ed. Nystazopoulou-Pelekidou, M. Pamboukis, I. Redhouse, J. Sakellion, I. Salaville, S. I — II — III — Sausserre D. Greek translation by F. Schmidt, J. Workshop held in Istanbul in June 4th Istanbul: — Stathi, P. Athens: — Stavrides, Th. Stewart, C. Syncretism as a dimension of nationalist discource in modern Greece. In: C. Shaw eds. The Politics of Religious Synthesis. London: — Stewart, Ch. Introduction: problematizing syncretism.

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